This course examines the language and techniques of direct painting from the figure, still life and plaster casts. Students will paint using a variety of strategies derived from current and historical practice. Direct painting has been the method of choice for figurative painting in the modern era, but other techniques are encountered in the history of western art, often as foundations or reference studies for more layered development. Approaches to tonal structure and color theory will be addressed in depth. While emphasis in this course is on perceptual seeing and interpreting, self-directed work plays a significant role. By providing a classroom structure for the review of independent work, the course achieves a vital dialogue between the method of direct painting and the myriad intentions of the artist
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3 Credits

Core Learning Outcomes

Understanding of techniques and materials of direct painting from figure, still life and casts
Understanding of painting strategies derived from current and historical practice
Theoretical and practical knowledge of tonal structure, color theory, and pictorial strategies for creating a perceptually based illusion of form, light and structure
Development of content, expression and personal picture making

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Content waiting definition by NYAA team

Content waiting definition by NYAA team

Content waiting definition by NYAA team